By Vince Perna

Weigh Station puts out a solid effort with their new six-song album, Past the Tracks.  The first song drops with a bang, showing off a Southern rock sound with horns for an extra funk element.  A rock ballad follows, slowing things down and letting the love flow. From that point on, the rest of the album rocks, twisting between straight rock and a Chili Peppers-infused punk factor (if the Chili Peppers were born in the south).  The integral changes and foot-stomping choruses keep you moving throughout the album.  It translates well into the live show, and shows the promise of what might emerge from a full-length conceptual album.

The third song, “Can’t Take My Soul,” stands out, with memorable guitar riffs, a great rock-jam feel, and an awesome sax solo.  This song would get you moving in the clubs.  It is followed by “The Heat,” a carefully-crafted song with a message that showcases the bands’ great transitional work.  Weight Station shows off some great guitar and drum work, brings the jams, and ends the disc on a Van Halen-esque guitar solo.  Great work all around.

I listened to it many times and it kept growing on me. It would be a great addition to the CD shuffle.  See Weigh Station on December 16 at Loggerhead’s and on January 20 at the Pour House on James Island.

Visit http://www.myspace.com/weighstationmusic to learn more and buy the album.

Share on Facebook

By Stratton Lawrence

Photo by Abigail Darlington

The Moody Blues and Thomas Wolfe were not the first to say it, but we’ve all experienced the notion of “you can never go home.”

In college, with my parents overseas, holidays and summers were a chance to let loose with like-minded folks. That meant traveling far and wide for as many Phish, Widespread Panic, and String Cheese Incident concerts that my hitch-hiking thumb and friends with cars would allow, budget be damned.

It’s been nearly ten years since those days, although I still appreciate and enjoy each of those bands’ music. When I saw that the String Cheese Incident would be reuniting, kicking off their first tour in five years in Asheville over Thanksgiving weekend, my old dancing shoes peaked their ears. I was headed up to the mountains for the holiday with my girlfriend’s family, and a Friday night escape to the Thomas Wolfe Auditorium seemed like a smart choice.

I called up my college roommate, who made the trip over from Statesville, N.C., and we headed to downtown Asheville for the show. First difference? I no longer subscribe to the hippie threads dress code. Clad in slacks and polar fleeces, we weren’t offered any of the psychedelic party favors that used to seem ubiquitous at these shows. We were, however, offered Jesus, twice.

Inside the show, we settled into the cozy theater. Long and narrow, the Thomas Wolfe is akin to the Township Auditorium in Columbia. There’s not a bad seat in the house. String Cheese kicked it off with an old favorite, Keller Williams’ “Best Feeling,” followed by the enchanting “Mouna Bowa.” The set went back to their acoustic roots for awhile before the only tune that prompted a bit of eye-rolling, “Let’s Go Outside.” I couldn’t help but imagine stoner dude #1 trying to inspire stoner dudes #2 and #3 to get off the couch for a minute and do something with their day by putting on this song, like play disc golf and smoke more weed. But that’s just me projecting…

At set break, it surprised me to run into friend after friend, including a handful of current or one-time Folly Beach residents. A huge attraction of these shows was always the reunion aspect, drawing friends from around a region to shake a leg and share in a mutual love for good music.

During the second set, a few tunes took me back to my glory days. “Black Clouds” came as an early treat, as did the instrumental “Lands End,” a beautiful tune with a mesmerizing riff that’s as ‘classic Cheese’ as they come. “On the Road” arrived as a classic closing song, followed by a treat in the encore with a brand new tune by lead singer Bill Nershi, “Far From Home.” Typically one to disdain audiences who clap during songs, this tune intentionally incorporated claps into the participation, without being obnoxious or contrived.

The band closed the night with an old bluegrass favorite, “How Mountain Girls Can Love.” I shed my skin, did a bit of a noodle dance, and then walked back into the streets of Asheville, feeling 19 years old again.

11/25/11 (Fri)  Thomas Wolfe Auditorium – Asheville, NC

Set 1: Best Feeling, Mouna Bowa, Sometimes A River, Colorado Bluebird Sky, Let’s Go Outside, Just One Story

Set 2: Rosie, Black Clouds, Shantytown, Solution, Lands End, Big Carolina Jam, This Must Be The Place (Naive Melody), Glory Chords, On The Road, E: Far From Home, How Mountain Girls Can Love

Share on Facebook

After touring around the country, James Justin & Company came back home to a loving crowd at the Pourhouse on James Island, Friday, October 14th.

Wearing smiles on their faces and dressed up to a tee, they rolled up their sleeves and delivered a memorable show for all. James Justin & Co.’s albums are solid from top to bottom, and the show followed suit. The first few songs were a hello to Charleston friends, before we were reminded of the good ole days, and then taken on wonderful trips of songs old and new. Fine reworkings of old classics like “In the Garden” were a welcome surprise, and reliable songs fans have come to love held a steady groove.

James Justin Burke is the lead singer & guitarist, and the band consists of Bailey Horsley on banjo, Dave Vaughn on mandolin, & Tom Propst on upright bass. That night Jim Donnelly, who engineered both albums, was on drums, and Howard Dlugasch, who played on both albums, was on keyboards. There was also an amazing solo by Zach Hood on trumpet during “The Rescue,” a slow ballad that draws listeners in and holds tight. It is easy to see how even a newcomer could fall in love with the rhythms and incredible songwriting. The guys from Dangermuffin joined the band on stage near the end to add an extra rock factor to the show. What the first half promised, the second half delivered, as the “werewolf” onstage made us feel “Helpless”. Choice covers and songs everyone wanted to hear ended the show, which everyone agreed could have lasted all night.

I caught up with Burke to talk about the tour and find out what’s happening: The band played 36 shows in 46 days, everywhere from New York City to Colorado and New Mexico. The reception on the road was awesome, even so far away. He was amazed at how many people had already heard of the band and were looking forward to the shows. Even the less attended shows were great because of the opportunity to create new fans, and he was encouraged as the crowd usually all walked out cheering with a JJ&Co t-shirt on. One of the highlights was playing Floydfest to a crowd of over 3,000 people, where they hung out with the band Yarn, and make quick friends, “we always like to help each other out whenever we can”. The most impressive band they had a chance to meet on the road were The Infamous Stringdusters, who are the “best new jamgrass band, with amazing experimental jams.”

Burke told me some interesting stories from the road, like the story of their new mascot, the Deer Bear which they found in New Mexico and became an important figure to the band. “Both animals are strong and confident, so combined, you can’t go wrong. It summarizes the band perfectly.” He talked about the bands’ addiction to disc golf, playing everywhere they could, and amazed at how many courses there are coast to coast. Then there was the time they were traveling the long flat roads of west Texas, where you can’t travel at more than 30 mph because of the constant threat of wildlife crossing the road.

As their eyes weakened near 4 am, they could not make out what was up ahead in the road. As they got closer they identified a mountain lion feeding on a deer, blocking the entire highway, which after some time of coaxing, finally lifted the entire deer in its saber-tooth-like jaws, and took off into the night. Needless to say, the adreneline rush carried them throughout the night.

Justin has moved back to his family’s farm in VA for an escape. “After having so much human interaction, touring and promoting a new album, I enjoy the peacefulness and quiet on the farm. I have also gained a new respect for hard work and good ethics.” He still considers Folly Beach his home and plans a return in January to start working on album #3, which was inspired by his trip across the country. When asked if he had anything to say to Folly Beach, he responded “Thank You… for the inspiration of my new life. See you soon!”

Share on Facebook

Graham Whorley loves Folly Beach. He’s a pioneer and a trailblazer of the music scene here on the island. When they write the book about music on Folly, there will be a whole chapter on him — talking to him is an education on where we are and why we are here.

The Graham Whorley Band includes Carl Anderson on drums and Will Ames on bass. The group has included several lineups along the way, with Herb Shirey spending ten years on bass until he retired.

This month will bring the release of Permission to Think, Whorley’s sixth album since moving to Charleston.

“It’s the best stuff I have ever done,” says the songwriter, who composed all of the music and lyrics and plays all the instruments. As he describes the sounds on the album, Whorley beams with pride and joy. He spent two years crafting the album with engineer Roger Reynolds, who recently followed Graham down from his childhood home in Virginia. As the success of the album grows, Whorley is planning an East Coast tour with the full band.

Twenty years ago, Graham found himself stuck in a small town in Virginia, knowing his talent and music deserved a better venue. On a bitterly cold and snowy day, he decided to follow his sister down to Charleston. She’d told stories of the great climate and cool culture. He discovered Folly Beach and fell in love, now considering the area his home.

Later, his sister lost a battle to ALS, which sparked his interest in raising money to fight the disease. A “Band Together” concert was recently held, raising $10,000 for the newly formed SC chapter of the ALS society. Whorley calls it a huge success and says it’ll be an annual event, citing the host of musician friends who donated their talents to the cause.

Graham is a family man, with a wife and two kids, and he does his best to separate music and family. “Music can consume and overwhelm you, and my family is too important for that,” he explains. Whorley encourages his kids to get involved in music, teaching them how to play and inviting them up on stage.

“I believe music is a great tool to help teach you to overcome life’s struggles,” says Whorley, whose children have spent their entire lives on the beach. “Folly is a great place to raise kids. There are plenty of things for the kids and the family to do.”

Sitting and talking to Graham is like hearing the timeline of Folly music. He tells of how Folly Beach was less traveled when he arrived. Hugo had just happened and the beach had a completely different look. There were a few hot spots to play music, but not nearly as many as there are today. A tight knit group of musicians existed, and they would cross Center Street to sit in with each other during breaks in their own shows. It was a very organic environment, which dictated the sound of the music, interesting and laid back.

Whorley began his Folly career by running the open jam night at Robinson Crusoe’s, and playing the Pelican on Monday nights, launching the Graham Whorley Band. “I remember, the crowd was so large, the fire marshal would shut down the Pelican nearly every time we played there,” he recalls. He remembers watching Everett Bigbee play, and his favorite band was Dunzip with Jesse Prichard and Hawke.

Whorley identifies with Jesse in the way the pair have survived for so long on Folly. “Folly has taken a slow gradual climb, which means it has deep, strong roots,” he says. “When I moved here, we were struggling to make a scene — now Folly bands are going national.”

He remembers the Sand Dollar always having great blues and rock music,
telling about a show where the “Sauce Boss” would perform while cooking Gumbo on stage, later serving it up to the crowd along with some tasty blues jams. The Chill & Grill gets credit for contributing to building the scene, and now Loggerhead’s is a great music venue, so “The future is bright.” “Whether you are born here or came here, this is a community with an interest in art and music and diversity, and it wants to keep growing in good ways,” says Whorley.

Whorley’s side projects include Stone Silicon, Gypsy Jazz with Will Austin, and a solo loop show. Stone Silicon is a ‘super-band’ consisting of Whorley, Louis D, Carl Anderson, and Jaime Crisp. It is a fun time when they all get together, which is rare considering they all have to juggle the schedule of their own bands to get a gig together. When it happens, it’s a special occasion, so clear the schedule and bring your boogie shoes.

You can see Graham Whorley on October 14th at the Brick House Kitchen, October 22 at Follypalooza, and October 26th at the locals party at the Blu. Make sure to get a copy of the new album Permission to Think.

Share on Facebook

Classically trained, and having toured all over the country, Eric Penrod has successfully built up a steady following here on Folly Beach. He heads the Eric Penrod Trio, a funk/jazz fusion band which includes Jake Holwegner on bass and alternates between Quentin Ravenel and Stratton Moore on drums.

Penrod writes all the music and lyrics for the band, although live shows include large amounts of improvisation.

“I draw much of my writing from everyday life, starting with an event or occurrence, and allowing that to manifest itself into song,” he explains.

Growing the trio is his current goal, and on the side he is collaborating with Ross Bon, a vocalist new to town that may soon be a household name. He also plays with the 17 South Party Band. “I never thought I would enjoy it, but we have a lot of fun,” he laughs about that gig.

Penrod grew up in Ohio, and remembers his parents always being supportive of his musical ambitions. He started playing guitar at age 10, after listening to Eddie Van Halen’s shredding guitar solos. He took music lessons growing up, and eventually studied at the University of New Orleans under Ellis Marsalis, where he mastered the classical and jazz styles. Since then, his homes have included New York and Chicago. He’s a founding member of the band Skinny, which toured all over the country.

“We were touring over 250 days a year,” Penrod recalls. When the band split up, the guitarist remembered how cool Charleston was when he played here, so he made the move, two years ago. “It reminded me of New Orleans,” he says.

Soon after, Penrod discovered Folly Beach and knew it was right for him.

“I love the vibe on Folly Beach,” he says. “There are also so many killer musicians out here that could survive in any big city. It’s interesting that so many great musicians are in such a small area.”

Penrod’s influences are jazz and bossa nova and old blues, including Muddy Waters. He also loves Stevie Ray Vaughn, Pat Metheny, and The Black Keys. His favorite local artists are Lee Barbour, “incredible guitarist” and Elise Testone, “awesome voice.” He recently shot a video for “Be Alright”, which is a great song and features beautiful Folly Beach scenery. You can view it at www.ericpenrodmusic.com.

You can catch Eric at the Folly Beach Brew Pub on October 21, and Blu on October 23, and see the Eric Penrod Trio October 28 at Loggerheads.

Share on Facebook

James Justin Burke photo credit Melissa Burke

Sit for a spell at the Lost Dog Café, and chances are, you’ll hear James Justin & Company through the stereo. Justin and his wife, Melissa, lived next door to the Lost Dog for four years, before moving away this summer to work on Melissa’s family dairy farm along the Chesapeake Bay in Virginia.

With the release of 2011 Dark Country, our humble Folly band made a splash on the national scene. Relix Magazine’s just released October issue states, “If the future of the indie-jam festival scene sounds more like its past with every ticket that The Avett Brothers and Mumford & Sons sell, then James Justin & Co. may very well be next season’s breakout band. Dark Country may introduce JJ& Co to a national audience who is hungry for the next great Southern rock band.”

Not bad for a group of guys who cut their teeth at Surf Bar and the Drop-In Deli! In between long tractor rides and pre-dawn mornings milking cows, Justin took the time to answer a few questions for the Folly Current about his songwriting, farm life, and missing Folly Beach.

What do you miss most about living on Folly?

The list is infinite, but when whittled down to one, it’s easy. The beach. I miss surfing. Just being in the water was always the escape. I went from swimming with the dolphins, to walking with the cows.

What’s the first thing you do when you get back?

The first thing will probably be a physical reaction. A happy sigh. Everytime coming home from leaving Folly I would always sigh like, “Ahhhh, I’m home.” Then I will, of course, get in the water and do some body surfing. Go to Sunset Cay, Surf Bar, Drop In and try to hangout with friends. That’s what we all did best. No one hangs out better than Folly.

Tell me about an average day of life on the farm.

I wake up at 4:30 am. That sounds early, mainly because it is. But it’s amazing. The only sound is the earth spinning. It’s after the night owls go to bed, and before the early birds wake up. Then it’s time to bring in the herd. And John Wayne was right, “There’s nothing like bringing in a herd.” We milk over 100 cows, twice a day. You get to them as if they are welcome in the house. And every cow’s pattern is unique. In between milking, we have all of the crop to tend too, such as hay, corn and beans. It’s about a 15-hour day of labor. Life on the farm never stops. It has taught me what hard work truly means.

Any surprises for Charleston since your last visit? Give us a hint.

JJ & Co. always tries to make a Charleston show special. We have some new songs to perform, and of course be ready for surprise appearances from other local musicians!

A lot of your songs were inspired by living in the Lowcountry. What have you been writing lately, songwise?

We will be back on Folly this winter to record our third record. The road has inspired me very much. Being able to see so much of the country in such a short span is like a rush of blood to the head. I have taken that source of energy and put it on paper. But Dark Country is still climbing the mountain, so there are no plans for a release in the near future.

Want to Go? James Justin & Co National Tour Kickoff Party, w/ The Royal Tinfoil. October 14 at the Charleston Pour House. 9 p.m. 1977 Maybank Highway.

Share on Facebook

By Eric Penrod

It has been said by many that professional musicians are a bit like thieves. We come into a venue, play music that we would otherwise play for free at home and walk out at the end of the night with money in our hand. Having been a professional musician now for fourteen years, I am very aware of the feeling and sensation that I am getting away with something and people aren’t aware of it yet. So I run out of venues at the end of the night, hoping the cops don’t follow me home.

I was approached to write a few lines on “what musicians should expect out of clubs and venues here on Folly Beach,î but I thought it was important to speak first about how musicians should act, before any expectations are made on a club or venue. Us musicians are privileged people who get paid to do what we love. We do deserve to get paid fairly and deserve some perks, but just as in any job, we must be professional.

Having said that, I have been on Folly Beach now for almost two years and I am still amazed by how many talented musicians there are in one small area. It is a pleasure to work as a musician with all of the supportive bar owners and music seekers here on the beach. I think that all us musicians want or expect out of a venue is, if we treat the venue and the listeners with professionalism and respect, we want it in return.

We must promote our shows, but it is nice when a bar owner understands that some nights are great and some nights are just dead out here. It’s not always our fault and we still deserve to get paid for the work we did. If a deal is made on money and a tab, we expect the venue to hold to that deal. But, us musicians must not be too greedy and remember, we would probably be at home on our couch singing songs if it were not for this amazing life opportunity to entertain. Thank you Folly Beach for listening to us.

THE VENUE OWNER’S PERSPECTIVE

By Ed Iames, Loggerhead’s Beach Grill

When I was asked to write this article, it was suggested that I considered using the angle of “Music Venue Nightmares.” I could we tell some stories of bands/musicians that made life miserable? Well, maybe a few. Certainly there are some crazy things that happen over the course of time in this business, but the positives outweigh the negatives, so it seemed silly to spend time or effort in that arena.

I have learned a lot about life in Folly Beach since relocating here one year and a half ago, but the music scene certainly took me by surprise. Prior to moving to Folly Beach, I never realized what a great music scene existed here. Like any other place, there are countless hopefuls that have spent years dedicated to perfecting their musical talents. But unlike most places, Charleston is loaded with musicians whose talent matches their passion. Original music walks hand in hand with culture. Just as reggae is the sound of Jamaica, Calypso is the sound Trinidad and Tobago, and Dixieland Jazz helps to define culture in New Orleans, music helps to make Charleston unique. Charleston is blessed to have so many original artists that are on their way to bigger and better things. I am proud that Loggerhead’s has played a part in the overall exposure of these talents, and we are committed to bringing the best talent in weekly.

Owning a venue has also had a personal impact. Prior to my time at Loggerhead’s, I did not have a CD newer than the ’80s. My iPod also had a selection of equally antiquated choices. On any given day, my CD player now plays music from local artists that I have really begun to enjoy. Who said you can’t teach an old dog a new trick? Having a music venue has given us the opportunity to understand and better immerse ourselves in the local culture. We have had the privilege of meeting so many talented artists, and the followers that have been lured by their talent. We have recently installed a house PA system and now have the ability to open our doors to traveling bands as they make their way through Charleston. We are excited about the opportunity to enhance the local music scene by infusing some new sounds from around the country and beyond. Later this month, we will be hosting a band from the UK.

Having a successful music venue takes time and effort from many. My wife, Yvonne, knows firsthand, as she spends hours every day listening to music, scheduling and negotiating. It is also nice to have friends, advocates and mentors that are willing to share insights and preferences. Richard Brendel is a guy that knows the local scene and has been a good friend and advisor since we opened Loggerhead’s. Thanks Richard! Most importantly, having regular support from the communityís music enthusiasts makes or breaks the venue, and we greatly appreciate the locals that support us so well. As long as they keep coming, we will continue to bring the best music that the area has to offer.

Share on Facebook

Eddy Boston

Eddy Boston
Genre: Folk, Pop

Eddy moved to Folly Beach in 2010 and fell in love with the island, especially the music scene. He’s even written a song about Folly, called “Relax, Slow Down, It’s Folly,” which is available at his website eddyboston.com.
eddy@eddyboston.com/339-927-4395

Bud Bryan
Genre: Country/Western, Rockabilly

Bud has lived on Folly close to 20 years, performing with JT Hawk (guitar), Pat Gould (keyboard), and David Thompson (bass), and sometimes John Wilder (guitar). They host an annual ‘Elvis Remembered’ show on the Folly Pier each August. bbacharleston@juno.com

Nathan Calhoun

Nathan Calhoun
Genre: Rock, Pop, Folk

Folly stalwart Nathan Calhoun is a favorite both as a solo singer-songwriter and leading his sax-driven, funky band, Calhoun’s Calling. nathancalhoun.com

Sarah Cole and the Hawkes
Genre: Blues, Rock

The evolution of Dunzip, the Hawkes have been playing on Folly Beach for nearly two decades. Their weekly Monday gig at the Drop In draws a faithful crowd, especially since the recent addition of young guitar phenom Sarah Cole.sarahcoleandthehawkes.com

Dangermuffin
Genre: Jam, Rock

It’s hard to believe the breakout success of this hometown trio, who now spend far more time touring across the country than at home on Folly Beach though. When they’re here though, it’s the same rowdy time when they gather at Surf Bar for their legendary Sunday night jams. dangermuffinmusic.com

Gaslight Street
Genre: Soul, Rock

Led by songwriter Campbell Brown, this quintet tours across the Southeast, earning fans through their ear-pleasing blend of classic soul and Allman Brothers style keyboard/guitar interplay.
gaslightstreet.com

Howard Dlugasch

Genre: Folk, Rock

With a style that harkens back to the classic singer-songwriters of the ‘70s, Dlugasch entertains both on his own and with his band, Bringers of the Dawn.
www.myspace.com/bringersofthedawn

Folly Dogs

Folly Dogs
Genre: Classic Hits

The Folly Dogs duo specializes in the best music from the ‘70s to the present, with high energy, fun, dance, and listening favorites.
FollyDogsMusic.com/864-6642

Sweet T and Chuckwagon
Genre: Folk, Groove

Duo Teresa Parrish and Charlie Stonecrypher blend classic country flavor with funky basslines and banjo.327-8642

Stratton Lawrence
Genre: Rock, Country, Folk

Stratton is the best musician in the world, and best of all, he’s humble about it.
poridgemusic@gmail.com

Eric Penrod

Genre: Rock, Jazz, Blues

Since relocating to Folly Beach, Eric Penrod has earned a reputation as one of the most capable guitarists and performers in town. He’s equally comfortable entertaining an audience on his own or with his impressive trio.
www.myspace.com/ericpenrod

Reckoning

Genre: Grateful Dead covers

This revolving cast of local musicians digs deep into the Dead’s catalog, creating unique shows and segues that bring new life to old favorites.
www.thedeadreckoning.com

Yellowknife
Genre: Explosive Pop Rock

The sound this duo gets out of drums and keys always earns double takes, but it’s the cover-your-ears-kids stage banter of drummer Stratton Moore that keeps the faithful checking the band’s unpredictable Facebook feed.
251-4813

This list will be online and updated at www.follycurrent.com, so feel free to send us your info to be included there.

Share on Facebook

Wouldn’t it be nice to begin a summer movie recap overwhelmed, in the midst of the  best movie summer ever? I’d love to say that this year is at least better than last, but unfortunately, not much has changed. Nevertheless, there is some interesting fare in those cool, dark theaters. Just like the summer of 2010, there is a wide variety of blockbuster feature films and small indie flicks that run the spectrum from Iron Man 2 and Inception to Get Low and The Kids Are All Right. And like last year, there is something for everyone. Blame it on our taste or laziness in Hollywood, but not much stands apart from the rest. Still, there have been some surprises.

Fortunately, the summer is not over yet. As the heat increases in August, many will be seeking refuge in our cool homes or the air-conditioned theaters. With this in mind, here is a handy guide to what’s hot and what’s not. I’ve pegged some great ideas for rentals. Last, I’m highlighting some buzz-worthy films soon to premier in theaters right here.

Super 8

Super 8, directed by J.J. Abrams and produced by Steven Spielberg, is a fun ride for the pre-teen audience, but for my price of admission, lacks the heart to make it this generation’s E.T.

The nostalgia is thick as the film opens in the summer of 1979, in a small Ohio town. A group of friends work together creating a super 8 movie, but soon become witnesses to a disastrous train crash. Unbeknownst to the group of friends, the camera keeps rolling. The group suspects that this train wreck was no accident. Over the next few days, strange things begin to happen in the small town—dogs and people disappear at an alarming pace, and objects flying through the air like dangerous projectiles. Soon the small town is overflowing with military police, causing even more angst for the terrified residents.

Focusing on this tight-knit group of friends, their interactions and their chemistry, there’s an underlying sense that this film never reaches its true potential. I wanted to get up and go watch Goonies or Stand by Me, movies that had it all – plot, great characters, camaraderie, and warmth. They deserve their rankings as timeless classics! Yes, this film is very reminiscent of Spielberg’s earlier works, but at every turn, it falls just a bit short. The magic fades quickly, leaving us with an uninspired vision of what someone or something used to be. What truly put the nail in the coffin for me was all the build-up and hype—the hype was its downfall! Disappointment.

My favorite part of Super 8 was the end, when the audience gets to see the super 8 zombie movie the kids had been working on earlier, before all the trauma of the train wreck and catastrophes. The Case, as it was called, plays out over the closing credits and is so funny and so well done, that it out performs its multi-million-dollar predecessor.

Transformers: Dark of the Moon

Transformers: Dark of the Moon has again fallen prey to Michael Bay’s inability to tell a cohesive story, but all hail his CGI/3-D eye! This film is nothing but a visceral experience. As an audience member, it is really difficult to look for anything more.

Consider this run down of the ’stellar’ plot– Shia LaBeouf returns as Sam Witwicky, bringing nothing new to the table. Optimus and Megatron are at it again. We meet a new Autobot named Sentinel (voiced by Leonard Nimoy). There is a super secret government project which is run by the bossy Frances McDormand. We’re introduced to a new super-sexy leading lady who is a set of lips and legs with no acting ability, Rosie Huntington-Whitley (exactly how Bay likes his leading ladies). A huge bot battle ensues which turns downtown Chicago into rubble and Sam Witwicky is somehow in command of the U.S. military and its fight to save the world against bot domination. Whew, now that was easy, but somehow this film goes on for two and a half hours! Go figure!

Again, we are faced with the hype that outpaced the actual product, and again Spielberg is in the producer role. Are we seeing a trend this summer? I think so! We are not going to see movies to experience them as a complete story, but to say we saw it. Where is plot development? Where is emotion and meaning?

Yes, T3 is visually super cool. The world Bay creates is as well-defined as the vision in Avatar, but when did we as audience members make the decision that visuals, graphics, and ear-numbing sound are all that matters in film? No battle scene or super cool graphics could stave the boredom I felt less than an hour into this flick.

At the end of the day, you are forced to shell out $12 to see this lackluster film because what is selling has to be seen on the biggest screen possible with the best digital audio. T3 will do nothing for you on the small screen. This is not a film you can pick-up at Redbox and enjoy on a hot afternoon in your cool living room. Yes, you can marvel at its grotesque enormity, but I am sorry to say, no CGI/3-D/IMAX experience can make up for a meaningless plot.

Larry Crowne

In a state where education’s importance isn’t always at the forefront, Tom Hanks reminds us of what a good class can do for one’s soul. Directed, co-written and produced by America’s male sweetheart, Tom Hanks creates something simple for us in Larry Crowne.

Yes, I am fully aware that I fell pray to Hollywood’s marketing angle, releasing this light and fluffy film the same week as Transformers: Dark of the Moon. We all know the studio-marketing folks will do anything to squeeze every ounce of attention and every dollar out of our collective wallets or purses. Just as long as you’re aware of what these master manipulators are doing during the summer time, I say, get your big purse out, cram it full of cheap homemade goodies, and enjoy everything that Hollywood has to offer!

Larry Crowne (Tom Hanks) is a pleasant, kind everyday man working at a big box store. Employee of the month nine times running, Crowne is shocked when he is suddenly fired due to his lack of education. Like many today — undereducated, middle aged, falling behind on the mortgage and unclear about how to start over — Crowne heads to his local college. There he creates strong relationships with a cast of lively misfits, but more importantly, develops a crush on his public speaking teacher, Mercedes Tainot (Julia Roberts), who is passionate about her daily margaritas and not much else.

Yes, this film is like watching YouTube videos of babies and puppies; you smile ear to ear from start to finish, but isn’t that why we go see films? To be whisked away to a time and place where things are more simple, clear and yes, cutesy! It is gently to the point of blandness, but it’s never unconvincing. There is a simple truth that speaks throughout this film, and I found it refreshing and all too cogent. The importance of education and the need for human connections shouldn’t be lost on any of us.

Tom Hanks and Julia Roberts are timeless as actors; two veterans who truly enjoy one another as people, and it is that chemistry that makes this film so much fun to watch. In a world of CGI overkill, Larry Crowne is a refreshingly simple tale that reminds us that it is never too late to learn, to change and to grow.

Winnie the Pooh

Walt Disney Animation Studios returns to the Hundred Acre Wood with Winnie the Pooh, and it feels like we never left! Featuring the timeless magic, humor and whimsy of the originals we all grew up watching, listening to or reading to others, this new movie is nostalgic and quite a fun romp.

The film reunites us with our favorite silly bear, Pooh, and his friends Tigger, Rabbit, Piglet, Owl, Kanga, Roo and my all time favorite, Eeyore. Listening to our favorite narrator, we turn the first page and are quickly whisked away to the beautiful English countryside of the Hundred Acre Wood. Pooh is just waking up and already on the hunt for, what you might ask? Honey to be exact! And just like the Pooh we all remember and love, he sets aside his own needs to help a friend in need — Eeyore has lost his tail.

Bringing the whole gang together to help with this simple task, it soon turns into a different type of mystery that has Piglet shaking in his pink-stitched fluff. Not surprisingly, Owl misconstrues a note from Christopher Robin and soon sends the gang on an adventurous, wild goose chase.

Stephen J. Anderson and Don Hall, who co-directed this film, stay true to the heart and art of our favorite watercolor Pooh and does not allow today’s ideas of animation to ruin the timeless, classic look and feel of the originals. They prove that filmmakers of today are still skilled enough to treat children and childhood with the utmost respect and poise. Another simple tale that does what others couldn’t this summer; it had barely any build-up and has outshined any hype that surrounded it.

Winnie the Pooh is a fabulous film that will remind adults that Pooh never left our hearts. This film simply and poignantly introduces Pooh to a whole new generation! (Be sure to stay through the character-ridden credits—the real ending comes directly after!)

Bad Teacher, Bad Movie

Bad Teacher, directed by Jake Kasdan and featuring Cameron Diaz, Jason Segal and Justin Timberlake, fails to make the grade. This film tries too hard to be funny, and while it has potential, it never gets genuine laughs.

Elizabeth (Cameron Diaz) is a morally bankrupt teacher whose dream is to find someone rich to take care of her. Oh, how I wished that the humor would wrap her like it did in There’s Something About Mary, but it doesn’t. In Bad Teacher, Diaz will let nothing stand in the way. I would love to say there is more to this film, but due to the shallow plot and a sloppily written screenplay, there is not much left for the talented cast to hold onto. The school’s staff is populated with a colorful range of characters—some actually quite funny. But their roles seem to be to fill in the gaps between shots of Diaz being high, drunk or almost naked.

There is redeeming value to this sad attempt at comedy. There are two shining lights in this film — Jason Segal and John Michael Higgins (Best in Show). Segal is the gym teacher and the only seemingly normal teacher at the school. When he is on screen deflecting Elizabeth’s putdowns with a quiet ease, he gives you the illusion you are watching a much better film then you really are. Higgins plays the school’s principal, Wally Snur. This veteran actor is a joy to watch and nothing less than perfect in his role.

I see where Kasdan was trying to go with this film, taking a traditional figure of the kind, well-intentioned school teacher and turning her into a drunken mess who finds redemption, but it just doesn’t work. Kasdan should have gone back and re-watched Terry Zwigoff’s Bad Santa (2003) to see how this idea is pulled off properly.

As it stands, Bad Teacher would have worked better as a three-minute skit on SNL not a feature film. Too bad all the way around—the movie might have had legs, but they never went walking. It’s a case of heat exhaustion.

Horrible Bosses

Ever fantasize about murdering your boss? This fantasy becomes reality for three hassled employees in this summer’s semi-dark comedy, Horrible Bosses. Unfortunately, director Seth Gordon didn’t edit as well as he could have. The film feels more congested then funny.

Nick (Jason Bateman), Kurt (Jason Sudeikis) and Dale (Charlie Day) all have one glaring problem in their seemingly normal lives: their intolerable bosses, (Kevin Spacey, Colin Farrell and Jennifer Aniston). Quitting is not an option, so after a night of drinking, these three friends hop into their car, ask their “On Star” representative for directions to the worst bar in town and begin their search for a hit man. Like many of their plans throughout this film, the search for a hit man doesn’t quite work out. But they do stumble upon some advice from a hustling ex-con (Jamie Foxx) whose name–and the story of how he received it–could be a movie in and of itself. They now think they have a plan that is foolproof–rid themselves of their employers. Things start to unravel at a frenzied pace.

I found two major issues with this film that held it back from what could have been cult classic status. First, the congested feeling that the film had due to the lack of editing. Seth Gordon packed this film so full of jokes, one-liners and semi-obscure pop culture references that it felt like you were suffocating. As you began to laugh and enjoy, the movie blew past you into a new scene.

Second, the fact that Gordon didn’t go as dark and disturbing as he could have was a let down. The audience is inundated with scenes of death, sexual abuse, drug abuse and a barrage of vulgar dialogue that would put any sailor to shame, but was served up as cozy comedy rather than anything more significant.

Of course, the performances are what save the day due to the exceptional casting. You can never go wrong with Jason Bateman and Kevin Spacey, but a cast alone does not a cult film make.

Harry Potter and the Deathly Hollows, Part II

In the 10 years since we began our journey with Harry, Hermione and Ron the spell has never been broken, and I can gladly say that Harry Potter and the Deathly Hollows Part II brings an emotional and brilliant ending to this decade-long adventure. I and Muggles alike are sad to see such a wonderful story come to an end.

In the epic finale, the battle between good and evil escalates to an all-out war. No one is safe, and everyone must choose a side; sacrifices will be made and lives will be lost, but it is Harry Potter who may be asked to make the ultimate sacrifice. Questions are answered and lives are altered forever as Potter pushes himself closer to the climactic showdown with Lord Voldemort, where it will all come to an end.

Every time a film in this series is released, we are all reminded that the cast is phenomenal—across the board. From the three best friends, Daniel Radcliffe, Emma Watson and Rupert Grint to the brilliant Ralph Fiennes (Dark Lord Voldemort) to the unyielding severity of Alan Rickman (Severus Snape) the cast is so right, so tight and so in tune with the plot. The entire cast deserves a standing ovation for portraying each character with utter brilliance and respect. What a truly beautiful cast to watch grow and change over the years. It has been a wonderful journey.

But, like anything, it has its flaws. I was truly content throughout the entire film, and as I watched the three friends join hands and look out towards the future, I felt complete and glad to see the film fade to black. About to remove my 3-D glasses, I noticed the words start to form and it read “19 years later.” I began to worry.

**Spoiler alert, stop reading if you don’t want to know the end.**

Everyone is married with his or her own children, and they are busy getting their children ready to board the train to Hogwarts. The problem is that it was not executed well. I started to hear some twitters of laughter in the theatre. The actors barely aged. Their baggy “adult clothes” and some extra crow’s feet around the eyes seemed to be it. It was awkward and poorly executed.

Personally, I have decided to ignore that portion of the film because the rest of it was a magical, dazzling journey that I loved watching and growing with over the years. Harry Potter and his epic adventure will go down in history, and like the final words of the book, “All was well.”

Buzz Worthy

The Help, directed by Tate Taylor, starring Emma Stone and Viola Davis. This is a beautiful and tough story based in Mississippi during the 1960s. An unlikely friendship blossoms around a secret writing project which pushes societal rules and puts these courageous ladies in jeopardy. The buzz around this film is electric and needs to be on your must see list!

The Guard, directed by John Michael McDonagh, starring Don Cheadle and Brendan Gleeson. This mystery-suspense-comedy follows an eccentric Irish policeman with a challenging personality who is teamed up with a tense FBI agent and their investigation into an international drug-smuggling ring. This film has tons of positive chatter around it and after viewing the trailer it has skyrocketed to my must see list right beside The Help! Critics agree that it is superbly directed and sharply written.

Rise of the Planet of the Apes, directed by Rupert Wyatt, starring a reliable cast from James Franco to Frieda Pinto, seems like it might have potential. With Tim Burtons’ failed attempt at this idea already, I am a bit wary, but the previews make it appear to have promise.

Attack the Block, directed by Joe Cornish. This film is from the producers of Shaun of the Dead and Hot Fuzz. Attack the Block follows a gang of rough inner-city kids who set out on a journey to defend their South London neighborhood from an alien invasion. The critics and the online chatter are charged, but the outcome is unknown.

Releases on DVD

Hesher, directed by Spencer Susser, stars Joseph Gordon-Levitt. This film had limited release, and just like Kaiser Soze, it disappeared from theatrical release. Gordon-Levitt is one of my all-time favorite actors, and this role seems nothing short of amazing! Hesher is into loud music, porn and burning things to the ground, and he brings his interesting anarchist take to a family in need. This family will be shaken to their core, but in a way that will open their eyes to so much more. Will this film speak to everyone? No!

Rio, directed by Carlos Saldanha, starring a barrage of actors, is an animated film I cannot believe I missed! From the makers of Ice Age comes Rio. A domesticated Macaw who is under the impression he is the last of his kind soon finds out he is not, and begins an adventurous journey to Rio de Janeiro to find his mate. Hilarity ensues. This is a wonderful film for all generations!

Arthur, directed by Jason Winer and starring Russell Brand, is a fresh take on Dudley Moore’s 1981 film of the same name. It did not fare well with the critics, but we are not all analytical Nazis. So this would be a great $1 DVD to pick up and enjoy in the comfort of your air conditioned home with a couple of close friends. Sometimes it’s nice not to take things so seriously and just sit back, be silly and have a good laugh.

Rango, directed by Gore Verbinski, starring the lovely Johnny Depp, is a movie I have already reviewed, but I wanted to remind everyone that if you missed it in the theatres, to catch it on DVD. Rango is a smart, lightheartedly creative burst of stunning animated entertainment about a sheltered household pet thrust into an unknown world–another excellent film for the entire family to enjoy.

Limitless, directed by Neil Burger, starring Bradley Cooper, is a mystery-suspense, sci-fi thriller that received decent reviews and could make for an adventurous evening for the right viewer. Although the script was a bit sketchy, Burger directs with plenty of visual flair. Eddie Morra (Bradley Cooper) is an aspiring author who suffers chronic writers block. He is introduced to a revolutionary new pharmaceutical, NZT, which allows him to tap into his full potential, but soon places his life in jeopardy.

Summer Love

Well, summer movies tend to be like summer romances—vapid, without substance, and often are in Shakespeare’s words, “much ado about nothing.” This summer tends to not be bucking that trend. The box office has been soothed by the pretentious summer blockbusters, and like that summer romance, there were some sparks of excitement from some unexpected corners, making summer tolerable and almost enjoyable. So is the glass half empty or half full? I’ll opt for the naïve lovers take on all this and say it is half full, worthy of enjoyment. So I say, get out there and enjoy! And here’s to some substance this fall.

Share on Facebook

Beneath the hopeful and soothing sounds of local songwriter Nathan Calhoun’s music lies an ardent pursuit forged by adversity.

Diagnosed three times with melanoma between 2008 to 2011, Nathan’s recurring bouts with cancer ushered in a solo musical career and, on the heels of an unexpected recovery, this month the devout musician released a triumphant debut E.P., Carolina Breeze.

“There are a couple of dramatic songs, but most of the album is pretty up-beat,” says Nathan, who began recording while recovering from a second diagnosis, at home in Louisville, Kentucky.  The album was completed in  February.

Turning to music to alleviate fear and anxiety during treatments, Nathan couldn’t resist breathing life into a hopeful work of art while faced with calamity.

“It was so freeing,” says Nathan, referring to his call towards songwriting.  “I wasn’t rushed, but I wanted to complete it as soon as I could — I wasn’t sure I’d be alive to finish it.”

Positive Vibes

First-time listeners would never guess that Carolina Breeze was conceived under bleak circumstances.  Mirroring Folly Beach’s cheer-filled streets, the aptly-named album leads listeners through heartfelt lyrics and vibrant melodies.

“I wrote a song about the pace of Charleston and Folly Beach, and the locals, too” says Nathan, about the lighthearted title song, “Carolina Breeze.”

“It’s a great CD to break into the original scene,” adds Nathan’s girlfriend and band manager, Elizabeth Adams, whose diligent efforts behind the scenes steadily land him gigs.

A long time familiar face on Folly Beach’s music scene, Nathan consistently delivers dynamic performances as the front-man of Calhoun’s Calling, a cover act rendering classic songs from various artists, including Dave Matthews Band, Jack Johnson and the Foo Fighters.

“We have a lot of fun” says Nathan.  “We play for the crowd.”

Conceived roughly two years ago by Nathan and saxophonist Andy Childs, the high-energy cover act has since accrued many charismatic band members, including lead guitarist Shane Greer, bassist John Birkenheuer, and drummers Kendal Brown, Darryl Williams and Jared Kerns, whose distinct contributions helped shape Carolina Breeze.

“It was perfect timing with this last album,” says Elizabeth, referring to constant encouragement from Nathan’s fellow musicians and friends.  “All these musicians happened to be present at the right time.”

“They’ve been a part of some of the best times in my life,” adds Nathan.

Although continuing involvement with the entertaining group, Nathan’s decision to embark on a solo career has refined the musician’s songwriting ability.

“I’m really looking to dig into the original scene,” says Nathan.  “I feel I have a little more voice now, and I feel stronger as a songwriter.”

The raw recordings and minimal effects of Carolina Breeze create a sincere and intimate listening experience.

“I wanted to keep it as organic as possible,” says Nathan, referring to the recording process.  “I’m so obsessed with keeping everything real and organic.”

Nathan’s ability to create an authentic album, however, stems from a humbling string of cancer diagnoses that sparked an honest and optimistic outlook. Upon moving to Charleston in 2007 from Louisville, Nathan was unexpectedly diagnosed with stage three melanoma, urgently requiring surgery at MUSC to remove a neck tumor and lymph nodes.

Four to five months after recovering, the cancer metastasized and Nathan was diagnosed for a second time with stage four melanoma — a rare, terminal disease with limited treatment options.  To halt the cancer’s rapid spread to vital organs, Nathan underwent surgery and experimental treatments at the National Institutes of Health (NIH), resulting in the removal of his lung.

“It’s so rare and it’s not like skin cancer,” says Nathan, who recalls his doctor admitting eight months of survival would be a gift.  “Many people think stage four melanoma is a skin cancer; but when they’re [doctors] telling you it’s in your lung, brain and liver, it doesn’t feel like skin cancer.”

Healthy for roughly 14 months, the battered musician was re-diagnosed in 2011 with stage four melanoma and, as a last resort, braved interleukin treatment — a process activating the immune system — at NIH.

Teetering between life and death while in and out of treatment centers brought the musician eye to eye with his volatile condition.  “I met other patients who seemed fine, then three weeks later they were dead,” says Nathan.

Nathan’s relentless exposure to mortality rendered every passing moment as a gift.  “I took a step back after I was first diagnosed,” says Nathan.  “I didn’t want to take anything for granted anymore, and that’s when I started making music.”

With a guitar in his hands during the early stages of treatment, Nathan clung to hope and found solace in his music.

“He always had a guitar in his hands,” says Elizabeth, who remained a consistent source of comfort amidst Nathan’s fluctuating circumstances.  “Music just started snowballing.”

After an impressive performance at a benefit in Louisville, the recuperating musician’s on-stage appearances steadily increased, ultimately leading Elizabeth and Nathan back to Charleston.

“I didn’t know I’d ever come back here,” says Nathan.  “It was very emotional coming back to Charleston,” adds Elizabeth.

Despite the musician’s turbulent experiences, themes of serenity and gratitude prevail in “Carolina Breeze.” Alongside Nathan’s near-fatal cancer diagnoses, the death of his grandfather, Roy McCarty, in 2004, as well as a timely and reviving relationship with his girlfriend, Elizabeth, inspired the uplifting album. From beginning to end, the six track E.P. is sewn together by hopeful and eager-minded sentiments.  On a feel good track titled “Fly Away,” Nathan sings:  “Give us a new day, let’s board this plane and fly away.”

Elements of folk, swing and jazz seep into Nathan’s style, creating a wholesome sound reminiscent of Steely Dan and Simon and Garfunkel, and gentle percussion fluttering alongside lush melodies often serve as a canvas for the musician’s earnest lyrics.

“Slow down and enjoy the things around you,” says Nathan.  “The album says that.”

A Community Effort

While Carolina Breeze reflects the musician’s persistence and natural talent, Elizabeth and Nathan commend Folly Beach residents’ compassion and generosity in making the album possible.

“We couldn’t have done all this without the community,” says Elizabeth. “I see this record as a way to give back to the community and their support,” adds Nathan, who credits the annual Follypalooza festival as a major buffer for his treatment costs.

Now in it’s fourth year, Follypalooza launched in 2008 to round up community members and local bands.  D.J. Rich, Folly Beach city councilman and co-owner of Planet Follywood, cooperated with general manager Mike Lewis and chef Chris Ludy of Folly Beach’s former restaurant, The Conch, to organize the lively early-fall event.

Initially raising funds for a handful of residents struggling with cancer, including Nathan, the annual event’s reputation grew each year, alongside the number of residents receiving support, according to Rich.

Supporting Nathan throughout his diagnoses, Rich gained great respect for the musician’s never-give-up persona.

“He’s one of the most optimistic guys I know,” says Rich, about Nathan’s enthusiasm.  “To be diagnosed with cancer all those times and come out as happy as he did, it’s amazing. I never saw him down — he just wanted to play music and have fun.”

After celebrating Carolina Breeze during an album-release show July 7 at Loggerhead’s Beach Grill, Nathan’s has recommenced performing throughout the Charleston area.

“He’s really booked up crazily this summer,” says Elizabeth, who’s booked Nathan shows at the Windjammer on the Isle of Palms, Music Farm and the Brick in downtown Charleston, as well as the Pour House on James Island.

Currently, Nathan performs from 9 p.m. to 12 a.m. every Friday at the Crab Shack on James Island, as well as roughly every other month at Planet Follywood.

Nathan’s remarkable ability to bounce back and deliver passion-laced performances is a testament to his resilient character.

“I’ve always been impressed by Nathan’s talent and raw ability, says Elizabeth.  “But for him to come back like he did, and sing songs with such power with only one lung, it’s unbelievable.”

Finding refuge in music, Nathan’s hardships laid the groundwork for a sincere approach to songwriting and, filled with gratitude and ambition, the bright-eyed musician rests patiently on the brink of a promising musical career.

“It was my saving grace,” says Nathan, paying homage to music’s life saving powers.  “I’ll never be able to give back to music what music has given me.”

Nathan plays at Planet Follywood on Sunday, July 24, and at Locklear’s on the Folly Pier on Wednesday, July 27. To check out Nathan’s upcoming shows, view photos, or contact him, visit: www.nathancalhoun.com.

Share on Facebook